Published writing by Una Walker
Positions of Periphery to Centre: the Festival of Britain. Peripheries, Morrow, R. & Abdelmonem, G. (Eds.), Routledge, 2012. With Dr Sarah Lappin.
Notes and queries, chapter in Irish Women Artists - 1800-2010: Familiar but Unknown, Ed. Eimear O’Connor, Four Courts Press, Dublin, 201
Ballrooms to barber shops: visual art venues in Northern Ireland in the latter half of the twentieth century. Artefact, Issue 2, Winter 2008. pp. 58-71.
Linen production” in Lay Up Your Ends; notes to play-script published by Lagan Press, 2008
Arkive City, featuring in online database about archiving practices, Interface online project, University of Ulster,, 2008
Art and Research Exchange and the Artists’ Collective of Northern Ireland – the early years, Footnotes, Interface, 2007
• “Collected Memory” The Visual Artists’ News Sheet, November/December 2006
• “Moving on from optimism: UK cultural policy” The Visual Artists’ News Sheet, July/August 2006
• “Déjà vu” The Visual Artists’ News Sheet, May/June 2006
• “The Right to Art” The Visual Artists’ News Sheet, March/April 2006
• “ACNI & RPA” The Visual Artists’ News Sheet, September/October 2005
Invited contributor to Future Forecast: Social Space, Shaw, B (Ed), Artists’ Information Agency, Sunderland, 2005
Elliptical Narratives and Circular Journeys, Part 3, in Static Pamphlet: Us and Them, Static, Liverpool, 2005
“Vox Pop” Circa 102, Winter 2002
Elliptical Narratives, Part 2, (Article) European Journal of Art Education, Issue 2,
Amsterdam 1999
Public Art in Belfast (Report) VAANI, Belfast 1998
The Survival of the Artist: How Visual Artists Live and Work (Document of reference) UNESCO, Paris 1997